Chicks Storm The Castle

 

The Chicks at Cardiff   Photo©Nigel Summerley

I seem to be making a habit of attending great gigs in the grounds of ancient fortifications...

After seeing Dylan at the Alhambra [see previous blog], I found myself at Cardiff Castle for another sublime performance – this time by the Chicks.

Formerly the Dixie Chicks (but dropping the politically incorrect Dixie a while back), the Chicks are Texans with a twist: they opposed the Iraq war and they have pilloried the fakeness of Donald Trump. Their liberal and feminist standpoints didn't play well with some US country fans and radio stations, but they did cement the band's reputation for being unafraid of singing "protest" songs and handling the attendant controversies.

These three country women also rock and swing like the proverbial clappers – and their sweet vocal harmonies combined with razor-sharp songwriting are an irresistible combination.

They are the most acceptable face of so-called "new country", much of which is formulaic and anodyne. These women have immense talent – and they're not afraid to use it.

Rhythm Kings

I've said this before but George Recile is a drumming genius... which makes him the perfect percussionist for accompanying the musical genius of Bob Dylan.

I had the privilege of seeing them both – and the rest of Dylan's remarkable band – in Cardiff last night, with the master's voice and songs and piano-playing all in great shape.

Apparently when Dylan aficionado the late John Gibbens gave a talk on Bob's poetry, he used to start off by playing a Dylan instrumental.

That might sound odd but, on reflection, it's not at all odd. Because you can hear the essence of Dylan in every strum of his guitar and every note of his harmonica. And the key to everything he does – the words he chooses, the way he sings them, the way he plays piano or harmonica, the way he moves, even the way he stands – is rhythm.

Dylan is not just rock'n'roll's Nobel laureate... he is also the King of Rhythm.

And it's no wonder that George Recile finds in Dylan's music the most wonderful variety of drum patterns, fills and grooves. With George one side of the stage and Bob the other, it really is difficult to know which to watch. Either way, they're locked in tight... in rhythm.